| English title | Frence title | Comment |
| Preface | Avant propos | "It may seem superfluous to speak in defense of the Cornet to-day..." |
| * The report | Le rapport | "The committee of Musical Studies in the Paris Conservatoire, has examined the method ..." |
| Position of the Mouthpiece | Position de l'embouchure sur les lèvres | |
| Method of Striking the Tone | Manière d'attaquer le son | |
| Method of Taking the Breath | Manière de respirer | |
| * The Cornet in C | Cornet à piston en Ut | |
| * On the use of the tuning slide | Emploi de la coulisse d'accord | |
| On Style | Du style, defauts à éviter | |
| Explanations respecting The First Studies | Explication sur les première etudes | |
| ? The Story of Arban | Text only in the Cundy-Bettoney Co. | |
| ? Introduction by Herbert Clarke | ||
| ? Modern Instruments | ||
| ? Table of Harmonics | ||
| ? Compass of the Cornet |
The studies
| English title | Frence title | Comment/part |
| First Studies (1-50) | 1. First Studies | |
| Syncopes (1-12) | 2. Syncopation | |
| Studies on Dotted Eighths followed by Sixteenth Notes (13-18) | ||
| Studies on Eighth and Sixteenth Notes (19-27) | ||
| Studies in Six/Eighth Time (28-38) | ||
| Studies on the Slur (1-68) | Etudes sur le coulé | 3. Slur |
| ? Studies on Broken Chords, Modulating from Key to Key (69) | ||
| Major Scales (1-69) | Gammes majeures | 4. Scales |
| Minor Scales (70-78) | Gammes mineures | |
| Chromatic Scales (1-9) | Gammes chromatiques | 5. Chromatic Scales |
| Chromatic Triplets (10-31) | Triolets chromatic | |
| Preparatory Studies on the Gruppetto (1-23) | Etudes préparatoires sur le gruppetto | 6. Grace notes |
| The Gruppetto (24-35) | Du gruppetto | |
| The Double Appoggiatura (36-43) | De la double appogiature | |
| The Simple Appoggiatura (44-47) | De l'appogiature simple | |
| The Short Appoggiatura (48-54) | De l'appogiature brève | |
| The Portamento (55-59) | Du portamento | |
| The Trill (60-80) | Du trille | |
| The Mordant (81-88) | Du mordant | |
| ? Musical Terms | (text) | |
| Intervals (1-7) | Etudes sur les intervalles | 7. Intervals |
| * The octaves and tenths (8-12) | Des octaves et des dixièmes | |
| Triplets (13-27) | Etudes sur les triolets | |
| Studies on Sixteenth Notes (28-47) | Etudes en doubles croches | |
| Perfect Chords, Major and Miner (48-52) | De l'accord parfait majeur et mineur | |
| Chord of the Dominant Seventh (53-54) | De l'accord de septième de dominante | |
| Diminished Chord of the Seventh 55-61) | De l'accord de septième diminuée ( | |
| Cadences (62) | Points d'orgue | |
| Tonguing, Staccato Triplets (1-76) | Etudes sur le coup de langue en staccato ternaire | 7. Studies on Tonguing |
| Tonguing in Double Staccato (77-114) | Du coup de langue en staccato binaire | |
| The Slur and Double Staccato (115-134) | Du coulé dans le staccato binaire | |
| Tonguing as Applied to the Trumpet (135-145) | Du coup de langue de trompette | |
| Sixty Duets (1-61) | 8. Duets | |
| The Art of Phrasing (1-144) | 9. Phrasing | |
| Characteristic Studies (1-13) | 10. Characteristic Studies | |
| Legato Chromatic (14) | ||
| Cavatine de Beatrice di Tenda (1) | 11. Solos | |
| Fantasie, "Acteon" (2) | ||
| Fantasie Brillante (3) | ||
| Variations on "Casta Diva" (4) | ||
| Variations on Tyrolese Air (5) | ||
| Le Petit Suisse, Air Varie (6) | ||
| Caprice and Variations (7) | ||
| Fantasie, Sur Un Theme Allemand (8) | ||
| La Neige, Fantasie (9) | ||
| Cavatine and Variations (10) | ||
| Variations Sur Un Theme Favori (11) | ||
| Variations on Carnival of Venice (12) | ||
| *Solo de concert sur l'opera IL CROCIATO de Meyerbeer (13-14) | ||
| *Bonheur de se revoir (15) | ||
| *Casino Polka (16) | ||
| *Souvenir de Kroll (17) | ||
| *Le Cornet Polka (18) |
This is based on the two edition Cundy-Bettoney Co. - Revised
by Herbert L. Clarke (only in english)
and International Music Diffusion (both french and english.)
* = only in International Music Diffusion
? = only in Cundy-Bettoney Co.